Παραδείγματα από το σώμα κειμένου για two-hander
1. Here he directs an intense two–hander by David Harrower about former lovers who meet up after a 15–year gap.
2. Nadal slices the ball right back – three shots now all down the same line – and Federer slices the ball back to the same spot yet again, this one even slower and floatier, and Nadal gets planted and hits a big two–hander back down the same line – it‘s like Nadal‘s camped out now on his deuce side; he‘s no longer moving all the way back to the baseline‘s centre between shots; Federer‘s hypnotised him a little.
3. He then has an engaging conversation with himself, about himself. ‘Is Ian McKellen a star?‘ he asks. ‘Well now, define your terms,‘ he answers. ‘Is he an actor?‘ ‘Yes, he‘s an actor.‘ ‘Is he a classical actor?‘ ‘Well, he‘s been in the classics, yes.‘ ‘Is he a Shakespearean actor?‘ ‘Well he acts in Shakespeare.‘ ‘Is he Chekhovian?‘ ‘He‘s done Chekhov as well.‘ ‘Is he a stage actor?‘ ‘Yeah, oh yes.‘ ‘So he‘s not a film actor?‘ ‘Oh, he‘s done films, too.‘ ‘So what does he do, this guy?‘ ‘He does what he wants to do, basically.‘ ‘Fantastic,‘ I say, responding to his two–hander. ‘Yes it is,‘ McKellen says, responding to the fact that he can do what he wants.